Lisa Michelle Hess
Lisa Michelle Hess has lived in every state on the Pacific Coast and loved the people in all of them. Over the years, she’s been a journalist, non-profit consultant, bookseller, and literature teacher, which were all her favorite jobs while she had them. Her current favorite career is Bookpusher at the Boise Public Library in Boise, Idaho, where she lives with one husband, one dog, and two turtles. You can find some of Lisa’s other stories in Passageways: A Short Story Collection. The Ghost of Gold Creek is her first full-length novel.
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Stormy Weather
It never rains but it pours, and you can hear the thunder coming, see the clouds forming...
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Writing That Transforms
I thought, “How cool is that? The idea that acceptance, simple grace, is the first step in a transformation.” The implications of that idea are mind-blowing...
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Write Regularly (Here’s How…and Why)
We all have those hours somewhere, we just don’t take advantage of them because resistance tells us they’re not enough – we’re not enough. But it will be enough, and so are you.
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The End
“The opposite of the happy ending is not actually the sad ending. The sad ending is sometimes the happy ending. The opposite of the happy ending is actually the unsatisfying ending.” ~ Orson Scott Card “Just look at the language we use to talk about endings. Nobody ever accuses the beginning of a story of being a “cop-out,” or a “cheat,” or of “falling flat.” Beginnings don’t have to pay off anything, or explain everything. The beginning of the story hooks us, and makes a bunch of promises — and then the ending has to deliver on all those promises. So perhaps it’s not surprising that it’s slightly easier to…
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BAD GIRL
I can’t understand why she cares so much about the admittedly inappropriate nature of the name we’ve chosen. I rack my brain, trying to make sense of this attitude I’m getting from her. Why these waves of criticism crashing toward me from across the desk?
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One Note
There are two versions of the same song on this album I own. The first version is slow and soulful, the other one has a techno beat. I like the techno version, it’s different, interesting. But the soulful one has something the other doesn’t—one note. I was listening to this album the other day while I was driving around, my phone was on shuffle and the two versions just happened to play in succession. At one point, I turned to the person riding with me and said, “That note, right there. That is why this version is my favorite.” My passenger raised an eyebrow, the artist I was listening to…
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You’re Not The Only One
One author's ICW odyssey.
