• Writerly Wednesdays

    Soul Depth: Give Hook A Chance

    Shel Silverstein wrote a poem about Captain Hook; two lines are enough to give you the gist. Captain Hook must be gentle When he shakes your hand. Why do things touch us deeply, and how does our soul affect the depth of our writing? Sure, we can picture Captain Hook’s iron claw, a smile plastered across his curl-mustachioed face. His enormous hat bobs and weaves as he approaches. He reaches out to shake our hand. There are deep meanings here. Why shake hands, to begin with? This semi-intimate greeting involves touching a pirate captain and his fingers. Okay, the touch is not so bad itself. A handshake is designed to…

  • Writerly Wednesdays

    Write Your Book, Not Busby’s Book

    Busby jumped up and down in excitement. “Dude, you’re a writer? Okay, I’ve got this killer plot. There’s this guy, and he…… and once he knew that, he…..oh and he knew this girl who then took over….. and all with a small parachute and a yo-yo! I know! So then, the President of the U.S. tells them to…all with a can of Spam and a hairbrush! The end! You should write it! You’ll make a million!” He walks away. No, fellow. I won’t make a million dollars, but you might. My fingers have typed thousands of words to write the story ideas others dumped on me. I have fewer friends…

  • Writerly Wednesdays

    Of Mysteries, Sacred Things, and Finishing

    “Flannery O’Connor is one of my favorite storytellers… In Mystery and Manners, she wrote of the challenges to write about religious insight in an age of modern doubt and skepticism. But times have changed since 1959 when she wrote this. Since that time, Modernism has given fully to Postmodernism, and now our culture seeks transformation instead of doubt or play. Skepticism about the spiritual is coming to its breaking point. People yearn for transformative experience. We see all around us a desire for the mystical… People seek transformation where it can be found, most notably in the gothic or shadows…”* As I zero in on the final chapters of what…

  • Writerly Wednesdays

    Your Writing Voice: Read To Write

    “Peter, I haven’t read a single book about how to write.” The load of books I carried flew from my hands. Like missiles, they launched into the air. “You’ve got to be kidding me! I find that impossible to believe.” I was at a book signing, and next to my table was one of the world’s leading authors. I’d been setting up my table when she dropped the bomb. And now, as I looked past raining copies of my book, Gideon’s Call, I saw shame and embarrassment in the author’s eyes. How to fix this? Being a beginner in the author world, I couldn’t afford to offend. “Your books read as…

  • Writerly Wednesdays

    Labeling Your Skills: The Essential Tool for Growth as a Writer

    How you talk about yourself as a writer is essential. You could stunt your writing growth if your words about yourself aren’t accurate. We could list every writer here and find something good about their work. Ernest Hemingway, with a journalist background, made every word hold vital importance. John Steinbeck could charm the reader through the plot and use cynicism to destroy the reader’s hope in human goodness and decency. William Faulkner tested the waters with a 1,288-word sentence, and his book was still published. Elements of excellent or interesting reading are found in any work. There is some redeeming quality in every piece. Of course, you’re on the list…

  • Writerly Wednesdays

    Variety in Your Novel: Spicy Dishes Served with Relish

    Variety is the spice of life, so Tums antacid comes in fruit, berry, cherry, orange, and peppermint flavors. What does this mean for our novels? I love an excellent spy-action or sweet-romance novel. Yet, if the book has 86,000 words of bullets flying, explosions erupting, and blood pooling on every page, we grow fatigued. We also get tired of 38 chapters of a couple arguing. Something else must happen, or the work is tedious. Variety allows for a better flow for the reader. Here are a few pointers about variety to keep in mind. Add variety to keep your reader connected to your story! You’ll not be sorry! And before…

  • Writerly Wednesdays

    The Oldest Myth: Storytelling Lessons From a 5000-Year-Old Writer

    The oldest story that has survived is about 4,725 years old. Yet, despite the passage of nearly five millennia, Gilgamesh still stands as the timeless benchmark for storytelling. Its enduring appeal lies in its ability to cater to the very essence of human storytelling. As a king, Gilgamesh was wild and untamed. The people, desperate for a change, prayed for help, and the gods responded by sending a man to wrestle with him until he learned to behave. In a twist of fate, they become best friends and embark on a series of adventures. However, tragedy strikes, and Gilgamesh is forced to confront his own mortality, leading him on a…

  • Writerly Wednesdays

    Writer, Keep the Faith: Courtly Love and Reading Trends

    On her Facebook fan site, Strong Readers, Angela Ruth Strong waxed philosophical when she asked a pressing question for writers. The news for writers today is troubling. Readership is down. Book purchases are down. Bestselling novels are a portion of what they used to be. Conferences and reading summits are closing. And what’s worse, the price of paper, pencils, and chocolate are up. In general, interest in books is falling, with it, sales and slots for authors to sell their books. Angela asked what’s next for the Christian market? I want to answer. The medieval world holds the answer. Yes! Kings, queens, nobles, King Arthur, courtly love, chivalry, guilds, and,…

  • Writerly Wednesdays

    Write Bravely: Dare to Live Your Dream

    “Writing begins and ends with loving Jesus.” Gregory Coles Idahope Christian Writer’s Conference taught us to write bravely. We learned we can break the industry formula or master writing forms with conviction. We not only write bravely but also edit and market with confidence. Greg Coles offered six powerful thoughts on bravery. To write bravely, we must remember that our vulnerability as writers is a gift to believers and ourselves. Our writing comes from the heart; thus, it begins and ends with loving Jesus. Write bravely! Not all views expressed are those of every member of ICW.