• Writerly Wednesdays

    Learn How to Write Good/Well

    There’s no perfect approach when you decide to learn how to write a novel. When baseball and softball players train to bat, they ask for various pitches to expand their hitting ability. If all they prepared for was a fastball down the middle, the batter could only hit when pitches were strikes over the plate. The same is true when learning to write a book. You’ll fully develop your skillset if you learn how to write from various sources. I’ve included a few ways to learn your craft and stay relevant to your writing. Change how you educate yourself to fit your needs in response to your life circumstances. The…

  • Writerly Wednesdays

    Writing Prep

    ‘Tis the season to get cozy and write your hearts out. Some fun lessons in writerly prep from best-selling author and ICW Member Heather Woodhaven. How to dress as a writer But this is only the beginning. See more here: https://www.facebook.com/reel/1075461993452970 and here: https://www.facebook.com/reel/353768417394219. Now, ready, set, write!

  • Writerly Wednesdays

    Should Politics and Fiction Mix?

    While bookworms consult other bookworms for reading recommendations, there is often a common caveat to these requests. It goes something like this: “I love the suspense or thriller genre, but please no politics.” Readers have valid reasons for avoiding the political. Fiction is often viewed as an escape from the problems of the world. No one wants to be lectured from either the left or the right of the political spectrum. So why do writers, who happen to be political junkies, inject their stories with political principles, and why is it important? Here are a few reasons to consider. Education Infuse fiction with politics in order to educate. There is…

  • Writerly Wednesdays

    The Bottom Line: What I’ve Learned in 40+ Years of Writing

    The writing life is a great ride—if one can hang on. I’ve never liked roller coasters—and yet, that’s exactly what I’ve been riding for nearly half a century. How well I remember that glorious first book contract somewhere back in the mists of the 1970s. I thought I was set. I had a publisher, I had an editor, I could just spend the rest of my life writing the stories I was passionate to tell and—Voilà—they would be published. It didn’t take me long to figure out that editors change, publishers cancel series, agents retire—or even die. Life is unstable—and nothing more so than the writing life. Zondervan cancelled their…

  • Writerly Wednesdays

    The Great Adverbectomy

    When I first began writing, I wrote completely without guidance, operating my keyboard without training. After several manuscript rejections, I found much-needed help through a critique group. My first writing mentor addressed a problem. Since I had enough adverbs in my first paragraph to give an editor a heart attack, they were removed. Gasp. Wheeze. Whimper. I loved my adverbs. They were astonishingly, beguilingly, charmingly, alluringly wonderful.After recovering from the shock, I went home and held a small service in their honor. Lovingly, longingly, I took one final look at my Word document before starting my search. Weepingly, I sought for any word ending in the dreaded, tell-tale “ly” and…

  • Writerly Wednesdays

    Writing Lessons from My Dogs

    Sometimes, when I’m goofing with my two dogs, Baxter and Taffy, God will snap his fingers, hold his hand over my nose, and tell me to, “Sit. Stay. Listen.” And when I do, I learn valuable lessons. Almost every morning, I have the same breakfast—two slices of peanut butter toast. I love peanut butter. At one point in my (much younger) life, I was going to marry peanut butter. My siblings still make fun of me for this—I do not care. However, during the year I was working from home as a freelance editor, every morning Baxter and Taffy would come and sit attentively near the table, convinced I would…

  • Writerly Wednesdays

    Eight Ways to Make an Editor Do a Happy Dance

    Writing intended for publication, whether it’s traditional, partner or self-publication, should be sifted through an editor filter. Why? Because we authors tend to read what’s in our heads, not what’s on the computer screen. We also have trouble pinpointing weaknesses in our own manuscripts. Editors who have no emotional attachment to our work provide unbiased, professional feedback. Even editors need editors. My writing is always improved by an editor’s candid comments. Here are a few key things to remember to create a smooth and productive writer/editor relationship: Read As many great writers and publishers have said, “Good writers are first and foremost good readers.” Reading teaches us word usage, sentence…

  • Writerly Wednesdays

    Bring Characters To Life

    This is Sarah. Sarah is a tall blonde biker chick who wears black leather and a ridiculously bright bum bag. This bum bag makes me very happy, and I started taking pictures of it. I even suggested it needs its own photo album. Now, when she travels, Sarah takes pictures of the bum bag on the beach, or on the mantle of a fireplace in a Victorian restaurant. She calls her photo collection, “Fanny Pack Adventures.” So whenever the people I ride with are supposed to be getting on our bikes to go, Sarah might be missing, taking pictures, and the road captain points at me. “You started this.” I…